Grave of The Fireflies (1988). Review by Roger Ebert.

Friday Poem: SamaView Post

Friday Poem: Sama

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Friday Poem: Ancestral TombsView Post

Friday Poem: Ancestral Tombs

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Hanif Kureishi reads Kafka’s ‘A Hunger Artist’

Franz Kafka’s story of a man who starves himself for entertainment, The Hunger Artist, is ‘absurd, moving and timely’, says Hanif Kureishi.

One thing is needful

One thing is needful.— To “give style” to one’s character—a great and rare art! It is practiced by those who survey all the strengths and weaknesses of their nature and then fit them into an artistic plan until every one of them appears as art and reason and even weaknesses delight the eye. Here a large mass of second nature has been added, there a piece of original nature has been removed:—both times through long practice and daily work at it. Here the ugly that could not be removed is concealed, there it has been reinterpreted and made sublime. Much that is vague and resisted shaping has been saved and exploited for distant views:—it is meant to beckon toward the far and immeasurable. In the end, when the work is finished, it becomes evident how the constraint of a single taste governed and formed everything large and small: whether this taste was good or bad is less important than one might suppose,—if only it was a single taste!— 

from Nietzsche’s The Gay Science (section 290, translated by Walter Kaufmann)

How does the brain generate consciousness? Baroness Susan Greenfield

Lines On A Spotted Dove

Friday Poem: Lines On A Spotted Dove

The mud that makes a man
molds women into birds,

although we know avians
come from dinosaurs and

humans from a heavenly
jubilation of glad apples.

The spotted dove between
the flowerbed and a melody line

bobs on the grass and scans
in peace for pearl…

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Metaphysics

It is precisely by means of … modes of knowledge, in a realm beyond the world of the senses, where experience can yield neither guidance nor correction, that our reason carries on these enquiries which owing to their importance we consider to be far more excellent, and in their purpose far more lofty, than all that the understanding can learn in the field of appearances. Indeed we prefer to run every risk of error rather than desist from such urgent enquiries, on the ground of their dubious character, or from disdain and indifference. These unavoidable problems set by pure reason itself are God, freedom, and immortality. The science which, with all its preparations, is in its final intention directed solely to their solution is metaphysics; and its procedure is at first dogmatic, that is, it confidently sets itself to this task without any previous examination of the capacity or incapacity of reason for so great an undertaking.

Critique of Pure Reason - Immanuel Kant, 1781